{"id":692,"date":"2021-03-23T11:23:49","date_gmt":"2021-03-23T14:23:49","guid":{"rendered":"https:\/\/ajcultura.com.br\/bienal\/?page_id=692"},"modified":"2021-03-23T15:00:01","modified_gmt":"2021-03-23T18:00:01","slug":"obras-mirtha-altamira-sandoval-de-pinto","status":"publish","type":"page","link":"https:\/\/ajcultura.com.br\/bienal\/obras\/obras-mirtha-altamira-sandoval-de-pinto\/","title":{"rendered":"Obras – Mirtha Altamira Sandoval de Pinto"},"content":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_image=”20″ bg_position=”left top” bg_repeat=”repeat” scene_position=”center” top_padding=”2%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_b_to_right_t” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”120px”][nectar_horizontal_list_item columns=”3″ column_layout_using_3_columns=”even” col_1_text_align=”left” col_2_text_align=”left” col_3_text_align=”left” col_1_text_element=”p” col_2_text_element=”p” col_3_text_element=”p” font_family=”h6″ hover_effect=”default” hover_color=”extra-color-2″ icon_family=”none” icon_size=”regular” col_1_content=”I Bienal Virtual de Artes e Cultura” col_2_content=”18 de mar\u00e7o a 30 de abril de 2021″ col_3_content=”Jaboticabal,SP”][divider line_type=”No Line” custom_height=”50px”][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” top_padding=”2%” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Artistas Bienal<\/span><\/p>\n

\u00a0<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][nectar_highlighted_text color_type=”regular” highlight_color=”#ff1053″ style=”half_text”]\n

MIRTHA ALTAMIRA SANDOVAL DE PINTO<\/h1>\n[\/nectar_highlighted_text][vc_column_text]Artista pl\u00e1stica, escultora, educadora e escritora, natural de Caracas, capital da Rep\u00fablica Bolivariana da Venezuela, especialista em arte popular venezuelana, tendo colaborado com o Minist\u00e9rio da Educa\u00e7\u00e3o, Cultura e Esportes de seu pa\u00eds e publicado livros sobre pedagogia no Equador e na Venezuela.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”51″ animation=”None” hover_animation=”zoom” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][\/vc_column_inner][\/vc_row_inner][toggles style=”minimal”][toggle color=”Default” title=”Clique e conhe\u00e7a o hist\u00f3rico de Mirtha Altamira Sandoval de Pinto”][vc_column_text]Mirtha Altamira Sandoval de Pinto nasceu em Caracas, capital da Rep\u00fablica Bolivariana da Venezuela, e estabeleceu-se em Jaboticabal no final de 2019. Possui forma\u00e7\u00e3o t\u00e9cnica em Desenho Art\u00edstico e Publicit\u00e1rio pela Academia Nueva Guarenas (1985), Auxiliar em Educa\u00e7\u00e3o Pr\u00e9-escolar pelo Centro de Capacita\u00e7\u00e3o Miguel Parra (1990), licenciatura em Educa\u00e7\u00e3o Integral pela Universidade Experimental Sim\u00f3n Rodr\u00edguez (2003-2007) e especializa\u00e7\u00e3o em Componente Pedag\u00f3gico em Terapia Familiar Sist\u00eamica pelo Instituto Tecnol\u00f3gico Superior de Mercadotecnia \u2013 ITSMAD em Quito, no Equador.<\/p>\n

Sua vasta produ\u00e7\u00e3o art\u00edstica engloba desenhos, esculturas e demais trabalhos que reverenciam a arte popular venezuelana. Tamb\u00e9m \u00e9 escritora, respons\u00e1vel por v\u00e1rias produ\u00e7\u00f5es liter\u00e1rias relacionadas \u00e0 educa\u00e7\u00e3o e cultura, desenvolvidas na Venezuela e no Equador, al\u00e9m de ter realizado diversas oficinas culturais e art\u00edsticas vinculadas ao Minist\u00e9rio da Educa\u00e7\u00e3o, Cultura e Esportes da Venezuela (Ministerio de Educaci\u00f3n, Cultura y Deportes de Venezuela), pelas quais foi reconhecida e premiada por institui\u00e7\u00f5es governamentais de seu pa\u00eds nos \u00e2mbitos municipal, estadual e federal.
\n[\/vc_column_text][\/toggle][\/toggles][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” top_padding=”4%” bottom_padding=”2%” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Obra na Bienal<\/span><\/p>\n

Clique e visualize a obra.[\/vc_column_text][vc_column_text css=”.vc_custom_1615904213972{padding-top: 30px !important;}”]\n

Diablos Danzantes de Venezuela<\/span><\/h3>\n

Trata-se de uma centen\u00e1ria manifesta\u00e7\u00e3o cultural e art\u00edstica da Rep\u00fablica Bolivariana da Venezuela, oriunda das regi\u00f5es costeiras deste pa\u00eds, proximamente \u00e0 capital Caracas. Esta bela tradi\u00e7\u00e3o foi declarada Patrim\u00f4nio Cultural Imaterial da Humanidade pela UNESCO em 2012 e representa parte importante da identidade cultural venezuelana.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][toggles style=”default”][toggle color=”Default” title=”CONTINUE LENDO”][vc_column_text]Com 209 anos de hist\u00f3ria, a festividade dos Diablos Danzantes de Venezuela impressiona pela vivacidade de suas cores, pela excentricidade de suas m\u00e1scaras e indument\u00e1rias e pela multiplicidade de elementos culturais e est\u00e9ticos que a comp\u00f5em. A festividade ocorre na Semana Santa, especialmente na Quinta Feira Santa, dia em que dan\u00e7as rituais, acompanhadas por instrumentos de percuss\u00e3o, s\u00e3o empregadas por confrarias que preservam a tradi\u00e7\u00e3o h\u00e1 gera\u00e7\u00f5es e onde se encena a \u201cvit\u00f3ria do bem sobre o mal\u201d. Simultaneamente \u00e0s encena\u00e7\u00f5es ocorrem cortejos e dan\u00e7as, entoam-se c\u00e2nticos t\u00edpicos e realizam-se rituais em mem\u00f3ria aos antepassados e ritos de devo\u00e7\u00e3o ao Santo Sacramento.<\/p>\n

Os integrantes da comitiva, trajados de \u201cdiabos\u201d, desfilam pelas ruas das cidades e defronte \u00e0s igrejas, encenando a postura desafiante do mal contra o bem. Quando se deparam com Jesus na Eucaristia, durante a celebra\u00e7\u00e3o conduzida pelo padre, os part\u00edcipes do cortejo despem-se de suas m\u00e1scaras e se ajoelham para rezar, marcando a derrota dos diablos que alegoricamente representam o mal.<\/p>\n

Com forte sentimento de unidade comunit\u00e1ria e cultural, a celebra\u00e7\u00e3o dos Diablos Danzantes de Venezuela constitui o am\u00e1lgama de tradi\u00e7\u00f5es populares venezuelanas e latino-americanas, oriundas do que se convencionou chamar de catolicismo popular, fen\u00f4meno que transformou o cristianismo segundo as especificidades latino-americanas.<\/p>\n

Os Diablos Danzantes de Venezuela representam uma das tantas tradi\u00e7\u00f5es oriundas da alquimia entre aspectos culturais ib\u00e9ricos, afro-venezuelanos e amer\u00edndios, que n\u00e3o s\u00f3 moldou uma celebra\u00e7\u00e3o tradicional cat\u00f3lica segundo as especificidades da Am\u00e9rica hisp\u00e2nica, tal como preservou tradi\u00e7\u00f5es caras perante a popula\u00e7\u00e3o afro-venezuelana e amer\u00edndia, como os instrumentos percussivos e o culto aos ancestrais.<\/p>\n

Cabe destacar que a presente exposi\u00e7\u00e3o da artista venezuelana Mirtha Altamira Sandoval de Pinto prestigia a beleza est\u00e9tica e a preciosidade art\u00edstica das m\u00e1scaras manualmente confeccionadas pelos membros das irmandades que secularmente preservam esta tradi\u00e7\u00e3o, por\u00e9m n\u00e3o compreende a totalidade desta manifesta\u00e7\u00e3o cultural, rica no \u00e2mbito n\u00e3o s\u00f3 das artes pl\u00e1sticas como tamb\u00e9m da m\u00fasica, dan\u00e7a, organiza\u00e7\u00e3o comunal, participa\u00e7\u00e3o popular, preserva\u00e7\u00e3o da mem\u00f3ria hist\u00f3rica de um povo e devo\u00e7\u00e3o religiosa.[\/vc_column_text][\/toggle][\/toggles][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” top_padding=”4%” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” 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